“Genius is a word too often tossed around in musical circles, but it has been
In a career that took flight in 1985 with immediate commercial and critical acclaim, guitar virtuoso Stanley Jordan has consistently displayed a chameleonic musical persona of openness, imagination and technical wizardry that sets him apart from every known guitarist. His music also is imbued with a combination of passion, sensitivity, humor, daring, and shear brilliance. Whether bold reinventions of classical masterpieces or soulful explorations through pop-rock hits, to blazing straight-ahead jazz forays and ultramodern improvisational works—solo or with a group—Jordan can always be counted on to take listeners on breathless journeys into the unexpected.
Stanley Jordan was born in Chicago in 1959 and studied classical piano before moving on to the guitar. Obviously quite bright and very serious, he attended and graduated from Princeton University. He is a guitarist best known for his development of the “touch” or hammering technique. Stanley Jordan's particular touch technique employs two-handed tapping. Both hands are positioned in parallel positions over the fretboard to tap notes on multiple strings. This method allows the guitarist to play a melodic line and chords simultaneously. It is also possible, as Jordan has demonstrated, to play simultaneously on two different guitars. While this is very difficult to do for mere mortals, what is even more daunting is to play guitar and piano simultaneously. Yes, Stanley definitely can do this.
Stanley Jordan – electric guitar and piano
Nat Reeves – acoustic bass
Kenwood Dennard -- drums
Funding for South Florida JAZZ is provided in part by a grant from the Broward County Board of County